Monday, September 21, 2009

VATICAN, SISTINE CHAPEL. THE PRACTICAL HINTS

by MUSEUMS OPEN FOR YOU

If you are heading to the Vatican City this year, you might consider hopping on a guided tour. Of course, visitors are not required to be part of a tour but the Vatican Museums' outstanding art collection and the sheer size (stretching over 9 miles) of the Vatican Museums really does require a bit of guidance.

There is a plethora of options for touring but keep in mind that the quality of tours can vary immensely. The tour company you choose can make or break your trip so be sure to do your research in order to find the tour company that best fits your requirements.



A few suggestions on creating a memorable visit at the Vatican:

Galleries.
Ask about the content of the tour. The Vatican collection is one of the largest in the world so the itinerary of the tours could vary greatly depending on which company you tour with. In fact, the reason that 'Vatican Museums' is plural is because there are several mini-museums that make up the 'Vatican Musuems'. (To take a peek at the collection visit Sections of the Vatican Museums) . Most all tours will visit the Sistine Chapel but check to make sure that St. Peter's Basilica is included, an architectual masterpiece in itself.

Group Size.
Inquire about group size. If you would like the opportunity to ask questions throughout your tour or to converse with your guide it is a good idea to choose a company that specializes in small group tours. Many groups are 30 people or more which makes the visit a bit impersonal and difficult to follow....but you need to ask in advance to find out the specific company's maximum group size. Presto Tours and MyVaticanTour are two companies that specialize in small group tours and have had positive reviews on the travel forums)

Guides.
Make sure your guide speaks great English (or your preferred language) with little to no accent. This can be a major deciding point in whether you enjoy your tour or not. Then again, just because your guide is a native English speaker doesn't mean they're a great guide. Inquire about guides' qualifications. Are they teachers, art historians, students, academics? Have they simply memorized a script? Do the guides have a broad education or is their knowledge limited to the Vatican in itself? Are they personable?

Children.
Find out if the company has tours that are catered to children or if the tour is recommended for children. (Sometimes you can even make a special request for a guide who is exceptional with small children)

Reviews.
Check to see what past guests have said about the tour company. Tripadvisor is a great place to start. Or, sometimes the tour company will provide you with references and you could call or write to their past guests.

Long lines.
Don't choose a tour company just because they skip the line. Quality is more important than the amount of time you spend in line. However, if you find a quality tour company and would like to avoid the long lines make sure that your company skips the line in an ethical way; the Vatican Museums has a limited number of travel agent partners who are preapproved for using their special entrance. Beware that there are also companies who claim to skip the line but merely cut in front of someone when you arrive--a bit unethical especially since other travelers sometimes stand up to 2 hours in the same line.

Wheelchair use.
If you or a member of your group has physical difficulty with stairs you may want to use a wheelchair (which are available for free use in the Vatican Museums lobby). Keep in mind that oftentimes wheelchairs are not welcome on group tours because the Vatican Museums' layout is such that one in a wheel chair would need to take a different path through the museums due to lack of elevators. Check in advance.

Walking Tour or Bus Tour?
Some tour companies advertise their tours without mentioning that the first half of the tour will be spent on a bus and that the actual time spent admiring the Vatican's treasures will be very limited--an hour or less. Once you reach the Vatican City, no buses are allowed entry-all tours will be walking tours. Be sure to get the facts straight. Rome is very small so hotel pick-up is rather a nuisance if it means losing 1 or 2 hours of indulging in art, when, in reality, you could get to the Vatican on your own just as easily using public transport.

Related Reading.
Prepare yourself before you leave for your trip to Italy, read a book that is related to the Vatican's history, its artists, its Popes, and its religion. That way, you will be able to engage in the tour and pose questions to your expert guide.

Tour Cost.
Compare prices and find the best deal for a quality tour. Just because the price is high does not mean the quality is high.
Extras. In addition to the Vatican Museums, Sistine Chapel, and St. Peter's Basilica there are also some lesser known attractions of the Vatican City: the Vatican Gardens, the Scavi Tour, the Papal Audience, the Pope's tombs, Michelangelo's Dome (which you can climb until the late afternoon), and the Vatican Historical Museum. Give yourself plenty of time to explore and book in advance to ensure you get to see all of these areas as the crowds tend to fill up spots very quickly.


The Creation of Adam. Michelangelo. 1508-1512.

Learning while traveling is a real joy so hopefully you will choose to reap the benefits of joining a guided tour. Whatever your decision, have a wonderul visit, remember the dress code in the warm months (women must cover knees and shoulders and men must wear long pants-no shorts or tank tops allowed), relax, and delight in the Vatican City State!

Sunday, September 6, 2009

GERMANY, COLOGNE CATHEDERAL - THE SECOND WORLD WAR SURVIVER


Cologne Cathedral (German: Kölner Dom, officially Hohe Domkirche St. Peter und Maria) is a church in Cologne, Germany. It is the seat of the Archbishop of Cologne (currently Cardinal Joachim Meisner), and is under the administration of the archdiocese of Cologne.



It is renowned as a monument of Christianity, of German Catholicism in particular, of Gothic architecture and of the continuing faith and perseverance of the people of the city in which it stands. It is dedicated to Saint Peter and the Blessed Virgin Mary. The cathedral is a World Heritage Site, one of the best-known architectural monuments in Germany, and Cologne's most famous landmark, described by UNESCO as an "exceptional work of human creative genius"

Construction of Cologne Cathedral began in 1248 and took, with interruptions, until 1880 to complete – a period of over 600 years. It is 144.5 metres long, 86.5 m wide and its two towers are 157 m tall. The cathedral is one of the world's largest churches and the largest Gothic church in Northern Europe. For four years, 1880-84, it was the tallest structure in the world, until the completion of the Washington Monument. It has the second-tallest church spires, only surpassed by the single spire of Ulm Cathedral, completed 10 years later in 1890. Because of its enormous twin spires, it also presents the largest façade of any church in the world. The choir of the cathedral, measured between the piers, also holds the distinction of having the largest height to width ratio of any Medieval church, 3.6:1, exceeding even Beauvais Cathedral which has a slightly higher vault.

Cologne's medieval builders had planned a grand structure to house the reliquary of the Three Kings and fit its role as a place of worship of the Holy Roman Emperor. Despite having been left incomplete during the medieval period, Cologne Cathedral eventually became unified as "a masterpiece of exceptional intrinsic value" and "a powerful testimony to the strength and persistence of Christian belief in medieval and modern Europe".



Ancient site

When the present Cologne Cathedral was commenced in 1248, the site had been occupied by several previous structures, the earliest of which may have been a grain store, perhaps succeeded by a Roman temple built by Mercurius Augustus. From the 4th century the site was occupied by Christian buildings including a square edifice known as the "oldest cathedral" and commissioned by Maternus, the first Christian bishop of Cologne. A second church, the so-called "Old Cathedral", was completed in 818. This burned down on April 30, 1248.

Medieval beginning

In 1164, the Archbishop of Cologne, Rainald of Dassel had acquired relics of the Three Kings which had been taken from Milan, Italy by the Holy Roman Emperor, Frederick Barbarossa. The relics had great religious significance and could be counted upon to draw pilgrims from all over Christendom. It was important that they were properly housed. The loss of the old five-aisled cathedral prompted a building program in the new style of Gothic architecture based in particular on the French Cathedral of Amiens.

The foundation stone was laid on August 15, 1248, by Archbishop Konrad von Hochstaden. The eastern arm was completed under the direction of Master Gerhard, was consecrated in 1322 and sealed off by a temporary wall so it could be in use as the work proceeded. Eighty four misericords in the choir date from this building phase. In the mid 14th century work on the west front commenced under Master Michael. This work halted in 1473 leaving the south tower complete up to the belfry level and crowned with a huge crane which was destined to remain in place, and the landmark of Cologne for 400 years.

Some work proceeded intermittently on the structure of the nave between the west front and the eastern arm but during the 16th century, this ceased.

With the 19th century romantic enthusiasm for the Middle Ages and spurred on by the lucky discovery of the original plan for the facade, it was decided, with the commitment of the Prussian Court, to complete the cathedral. It was achieved by civic effort, the Central-Dombauverein, founded in 1842, raised two-thirds of the enormous costs (over US$ 1 billion in today's money), while the Prussian state supplied the remaining third.

Work resumed in 1842 to the original design of the surviving medieval plans and drawings, but utilising more modern construction techniques including iron roof girders. The nave was completed and the towers were added. The bells were installed in the 1870s.

The completion of Germany's largest cathedral was celebrated as a national event in 1880, 632 years after construction had begun. The celebration was attended by Emperor Wilhelm I.



World War II and post-war history

The cathedral suffered seventy hits by aerial bombs during World War II. It did not collapse, but stood tall in an otherwise flattened city. In June 1945, the cathedral was supposedly abused as a rifle range by American troops. The repairs to the building were completed in 1956. In the northwest tower's base, an emergency repair carried out in 1944 with bad-quality brick taken from a nearby war ruin remained visible until the late 1990s as a reminder of the War, but then it was decided to reconstruct this section according to the original appearance. The brick-filling can be seen in the image on the left.


Stained glass window by Gerhard Richter, 20 meters tallSome repair and maintenance work is constantly being carried out in some section of the building, which is almost never completely free of scaffolding, since wind, rain, and pollution slowly eat away at the stones. The Dombauhütte, which was established to build the cathedral and repair the cathedral, is said to employ the best stonemasons of the Rhineland. There is a common joke in Cologne that the leader of the Dombauhütte, the Dombaumeister (master builder of the cathedral), has to be Catholic and free from giddiness. The current Dombaumeisterin is Barbara Schock-Werner. Half of the costs of repair and maintenance are still borne by the Dombauverein.


IT LOOKED LIKE THIS. 1945

On August 25, 2007, the cathedral received a new stained glass in the south transept window. With 113 square metres of glass, the window was created by the German artist Gerhard Richter. It is composed of 11,500 identically sized pieces of coloured glass resembling pixels, randomly arranged by computer, which create a colorful "carpet". Since the loss of the original window in World War II, the space had been temporarily filled with plain glass. The archbishop of the cathedral, Joachim Cardinal Meisner, who had preferred a figurative depiction of 20th-century Catholic martyrs for the window, did not attend the unveiling.

The most celebrated work of art in the cathedral is the Shrine of the Three Kings, a large gilded sarcophagus dating from the 13th century, and the largest reliquary in the Western world. It is traditionally believed to hold the remains of the Three Wise Men, whose bones and 2,000-year-old clothes were discovered at the opening of the shrine in 1864.


SHRINE OF THE THREE KINGS (MAGI)

Near the sacristy is the Gero-Kreuz, a large crucifix carved in oak and with traces of paint and gilding. Believed to have been commissioned around 960 for Archbishop Gero, it is the oldest large crucifix north of the Alps and the earliest-known large free-standing Northern sculpture of the medieval period.

In the Sacrament Chapel is the Mailänder Madonna ("Milan Madonna"), dating from around 1290, a wooden sculpture depicting the Blessed Virgin Mary and the infant Jesus. The altar of the patron saints of Cologne with an altar piece by the International Gothic painter, Stephan Lochner is in the Marienkapelle ("St. Mary's Chapel"). Other works of art are to be found in the Cathedral Treasury.